964 Pinocchio (1991) is a disturbing Japanese cyberpunk horror film that pushes the boundaries of the genre. Directed by Shozin Fukui, the movie follows Pinocchio 964, a lobotomized cyborg created as a sex slave who is discarded by his corporate owners when he malfunctions. As he wanders the streets of Tokyo in a state of confused agony, he forms a connection with a mentally unstable woman while being pursued by the corporation that wants him eliminated.

The film is renowned for its gritty, low-budget aesthetic that creates an authentically nightmarish atmosphere. Shot on 16mm film with frenetic editing and disorienting camera work, 964 Pinocchio captures the raw energy of underground Japanese cinema from the early 1990s. The performances, particularly from Haji Suzuki as the titular cyborg, are physically demanding and committed to the film's unsettling vision.

While not for mainstream audiences due to its extreme content and challenging narrative, 964 Pinocchio has developed a significant cult following among fans of experimental horror and cyberpunk cinema. The film explores themes of corporate exploitation, dehumanization, and the search for identity in a technologically saturated world. Viewers should watch this movie for its uncompromising artistic vision and as a prime example of Japan's unique contribution to body horror and science fiction cinema. The film's raw energy and disturbing imagery make it a memorable, if difficult, viewing experience that continues to influence underground filmmakers.